Teaching and DIY practice by Justin Davey
Monday, February 04, 2008
"ADR Studio"
Recently I have been testing and teaching "ADR Studio" by Gallery. ADR Studio (as used by the likes of Skywalker Sound for the recent Star Wars movies), is a piece of software which manages and virtually automates the spotting of both Foley and ADR sounds within ProTools (and others). The software communicates with ProTools via a virtual MIDI interface, controlling its features via HUI (Human User Interface developed by Emagic / Mackie) and MTC (MIDI TIME CODE). It's a bit fiddly to setup, but once configured it works extremely well.
As well as automatically generating the standard 3 blips spaced 667ms (or 16 film frames) before the cue point, it also has a powerful matrix which lets the user decide what happens to each track during the PREVIEW, RECORD and REVIEW stages. For example, during the PREVIEW stage, the actor might wish to hear the reference audio both before, during and after the cue point. However, during the actual RECORD and REVIEW stages, they might wish to only hear the reference audio during the pre and post roll sections and then hear only their "live" input during the actual record stage; this is easily configured within the ADR Studio matrix.
Spotting of sounds / dialogue is also extremely easy as the line/s are simply highlighted and then upon hitting the SPOT dialogue box, a window appears where things such as the actor / character's name and line to be replaced can easily be entered. Then, an ADR cue sheet can be generated and printed out ready to give to the actor / Foley artist etc. A simple double click on the required cue automatically sets ProTools up at the required position within the timeline ready for previewing / recording or reviewing the cue.
An excellent piece of software - I plan to get hold of a copy for my own studio as this is an area I'd definitely like to move into / explore.
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1 comment:
cool. Sounds good.
See this is why i read your journal. Man you know too much. yeah you get it and I promise to be commissioned and then we can try it in a real live project situation. what did they say about your book structure? anything yet?
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