Coming from an audio background where it is the norm to try and master recordings as close to 0dBFS as possible, it is interesting to note that Young, R (2006) "Easy Guide to Final Cut Pro 5" states that DV audio should peak at -12dBFS?
This is an interesting issue as in a previous post it was discussed that the 0dB indicator on a field mixer (in this case the Sound Devices 302) should correspond to -20dBFS on the DV camera, thus allowing for 20dB of headroom for peaks. However, if DV audio should really only peak at -12dBFS, this really only provides for 8dB of headroom. In practice, probably what would happen is that the full 20dB of headroom was made availale during recording and then compressed / limited down to peaks at -12dBFS during the post production phase.
No comments:
Post a Comment